WHITNEY RICKETTS

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I write things, edit things (print & web), and hug too hard.

TO THE YOU OF TEN YEARS AGO

Never fear. I know the difference between
arteries and ardor, arbor and treed,
my bower and a weak-kneed need, a harbor
where one might moor tonight and a port worth
the oars’ effort to come ashore for, a bit
part and the serpent’s gravid apple. I won’t
flatter myself first or lasting, or 
presume to fast and fein a martyr, making
mockery of sacrifice, fatten
for some sweet slaughter. I must believe that I’m 
not on your mind. On your body? Sure.
That said, your body has a few ideas
so bright that we might meet some night and render
a dark room light as the last day before
the world ends, that doom that was supposed to dawn
today, but by now, hours worn on and in,
we know there’s no such luxury as fine
as that finality for now. For now, 
at least, I’ll have to kiss apocalypse 
goodbye, resign myself to this more mundane
pain, the solace of the solstice, year’s
earliest sunset and its longest night.
I try to catch that fade of color with,
without a flash. Both tries prove terrible.
The horizon smudges up against the sky’s blue
like a child’s heavy-handed landscape
and inept erasure. They’ll have to do.
The pictures that I have of you will never
do you justice, either, neither a camera’s 
snap nor some synaptic crackle long
elapsed can come remotely close to holding
you. How else would you have it? You need
never fear. I need you, but I only need you
where you are: there, never far, never near. 

DORA MALECH


[4 notes]

what do you say, is this the time?

(via zachariahahaha)


[444 notes]



[1 note]

RECONCILE

lunchboxpoems:

The earliest light we know

is out there on the hill this evening, calling to us—

starlight is an ancient lilac, with a talent 
for the fragile certainty:

there is a speck
of memory, then I was quiet.

What is true 
from everlasting to everlasting:

I found a good place. Then I was quiet.

It’s sacrilege to imagine

how someone should or should not have 
loved you, umpteenth time.

 

SARAH VAP


[5 notes]



[0 notes]

Sometimes a story is not about anything except what it is about. Sometimes you wake up and find that you actually have lost your nose. Losing my mother’s wedding ring in the Tongue River was not ok. I did not feel better for it. It was not a passage or a release. What happened is that I lost my mother’s wedding ring and I understood that I was not going to get it back, that it would be yet another piece of my mother that I would not have for all the days of my life, and I understood that I could not bear this truth, but that I would have to.

Healing is a small and ordinary and very burnt thing. And it’s one thing and one thing only: it’s doing what you have to do. It’s what I did then and there. I stood up and got into my truck and drove away from a part of my mother. The part of her that had been my lover, my wife, my first love, my true love, the love of my life.

CHERYL STRAYED, Sun Magazine, September 2002


[12 notes]

WHAT THE LIVING DO

Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up
 
waiting for the plumber I still haven’t called. This is the everyday we spoke of.
It’s winter again: the sky’s a deep, headstrong blue, and the sunlight pours through
 
the open living-room windows because the heat’s on too high in here and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,
 
I’ve been thinking: This is what the living do. And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,
 
I thought it again, and again later, when buying a hairbrush: This is it.
Parking. Slamming the car door shut in the cold. What you called that yearning.
 
What you finally gave up. We want the spring to come and the winter to pass. We want
whoever to call or not call, a letter, a kiss—we want more and more and then more of it.
 
But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I’m gripped by a cherishing so deep
 
for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living. I remember you.

MARIE HOWE


[10 notes]

for once, there is nothing up my sleeve


[0 notes]



[5 notes]

Molly Friedman does God’s work

Molly Friedman does God’s work


[0 notes]