WHITNEY RICKETTS

The love of form is a love of endings. — Louise Gluck

I’LL REMEMBER AUGUST

lunchboxpoems:

The dog Schafer says to
put it to sleep. Let it down easy,
he says. There is no thicker love
than to suffer. Schafer says
the gray is getting thin. We aren’t
losing track of its bones
these days. We consult Schafer
as to what can be done; he suggests
we let it go. Sooner or later, we will shake
it off, understand we never would’ve
held it so close if it weren’t for that one
time. I nod, and then you nod. I’ll remember
August, I say, not looking at you
or at Schafer, how embarrassingly the heat
suffocated a home of us, how happy we were
that it melted our hair and insides.

ALLISON LEIGH

LEARN

lunchboxpoems:

You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then – to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the thing for you.

T.H. WHITE

Don’t wait for permission to make something that’s interesting or amusing to you. Just do it now. Don’t wait. Find a story idea, start making it, give yourself a deadline, show it to people who’ll give you notes to make it better. Don’t wait till you’re older, or in some better job than you have now. Don’t wait for anything. Don’t wait till some magical story idea drops into your lap. That’s not where ideas come from. Go looking for an idea and it’ll show up. Begin now. Be a fucking soldier about it and be tough.

IRA GLASS

XXI

The dark lintels, the blue and foreign stones
of the great round rippled by stone implements
the midsummer night light rising from beneath
the horizon — where I said “a cleft of light”
I meant this. And this is not Stonehenge
simply nor any place but the mind
casting back to where her solitude,
Shared, could be chosen without loneliness,
not easily nor without pains to stake out
the circle, the heavy shadows, the great light.
I choose to be the figure in that light,
half-blotted by darkness, something moving
across that space, the color of stone
greeting the moon, yet more than stone:
a woman. I choose to walk here. And to draw this circle.

ADRIENNE RICH

IF THOSE BLOSSOMS DON’T COME

lunchboxpoems:

if the tangerine doesn’t
fill the house with thick
sweetness. If you put
your hands over your
ears one more time
when I’m talking. If
there’s another month
of wanting to sleep all
day, the cat the warmest
sweet thing I can imagine.
If this damn rain doesn’t
let up, I’m going to
have to rewrite the story
you’ve got in your head
about us and I don’t
think you will like
the ending

LYN LIFSHIN

Loading next page

Hang on tight while we grab the next page